PITCH YOUR BOOK TO A LITERARY AGENT:
These one-on-one meetings at the 2019 Toronto Writing Workshop are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. More 2019 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
Carly Watters is a literary agent with P.S. Literary. Carly is currently acquiring both fiction and nonfiction. In terms of fiction, she is seeking women’s fiction, upmarket adult, commercial adult, domestic suspense, literary mystery & thrillers, historical, contemporary romance, and smart book club fiction. In terms of nonfiction, she is looking for pop science, business, psychology, cookbooks, unique memoirs, lifestyle (health, wellness, relationships, parenting), narrative, and platform-based nonfiction (must have demonstrable expertise and a quantifiable market). Learn more about Carly here.
Ali McDonald is a literary agent at The Rights Factory. Now the lead agent specializing in children’s literature at The Rights Factory, Ali represents a select list of authors with projects ranging from novelty, board books, picture books, early readers, chapter books, and graphic novels, to middle grade, young adult and new adult fiction & nonfiction. She enjoys working primarily with debut authors, but also has the distinguished pleasure of representing literary stars among her international clients. Learn more about Ali here.
Weronika Janczuk is a literary agent with D4E0 Literary. “I am not, and have never been, a single-genre reader. I am eager only for the best-told stories, building out a list of talented novelists and writers in many genres.” She is seeking: young adult, fantasy & sci-fi, literary fiction, commercial fiction, women’s fiction, romance crime, mystery & thrillers. memoir and nonfiction (innovative ideas & research; projects with a potential for social & cultural impact, etc.). Learn more about Weronika here.
Paige Sisley is a literary agent at CookeMcDermid. She is currently seeking well-written commercial fiction that both entertains and has something to say, and she is always on the lookout for nonfiction in the memoir, lifestyle, and health & wellness areas. Learn more about Paige Sisley here.
Léonicka Valcius is a literary agent with Transatlantic Agency. “I am eager to work with people of color, including (but not limited to) trans people, disabled people, religious minorities, and queer folks. In adult and young adult fiction, I like fun commercial fiction, romance that ranges from sweet to steamy, otherworldly fantasy, and sweeping historical fiction. I do not represent mysteries or thrillers. In adult nonfiction, I like narrative nonfiction that explains complex issues through the lens of a personal story. I am also seeking books that straddle the self-help/lifestyle line (#selfcare #liveyourbestlife) and the self-help/business line (#productivityhack #riseandgrind). For middle grade and younger, I love humour, adventure, and make believe. I also enjoy stories about children navigating their changing relationships with family and friends. I strongly prefer books with at least one human character.” Learn more about Léonicka here.
Lindsay Leggett is a literary agent with The Rights Factory. Lindsay is focused on young adult, middle grade, and children’s books with unique, engaging, and diverse world’s and unforgettable characters. Within these kidlit realms, she would like to see horror, thriller, magical realism, fantasy, science fiction, LGBTTQIA+, #ownvoices. Learn more about Lindsay here.
Nicole Bezanson is a literary agent at Metamorphosis Literary Agency. At the 2019 event, she will be taking pitches on behalf of both herself and all her co-agents at the agency. Personally, Nicole seeks #ownvoices, contemporary fiction in ages 16+, and YA in all forms and genres, particularly with romance or mystery subplots. Manuscripts featuring animal appearances are always appreciated, cats and horses in particular, as are stories taking place in Canada. Also, Nicole is happy to hear pitches for acquiring co-agents for the following: romance in all age groups and genres, women’s fiction, contemporary stories in both adult and young adult, sports stories of any kind, any kind of young adult fiction, paranormal (romance or not), horror, general fiction, LGBTQ+, book club reads, adult science fiction and fantasy, and thrillers. Learn more about Nicole here.
Cassandra Rodgers is a literary agent with The Rights Factory. Cassandra has a diverse group of clients from across North America that ranges from debut authors to celebrities. Actively building her list, she is interested in adult literary and commercial women’s fiction. With a degree in history and political science from the University of Toronto, she does have a weakness for historical fiction. Nonfiction is another passion – particularly politics, history, science, and finance. Memoirs that can make her laugh, cry, or inspire her are always welcome. Learn more about Cassandra here.
Olga Filina is a literary agent with The Rights Factory. She is seeking: For fiction, she seeks commercial, contemporary, historical, crime, middle grade, young adult, romance, mystery, and thriller. For nonfiction, she seeks business, lifestyle, and memoir. She especially enjoys books that will set her book clubs or fire, and YA/MG with memorable characters. Learn more about Olga here.
More 2019 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings.)