PITCH YOUR BOOK TO A LITERARY AGENT:
These one-on-one meetings at the 2020 Toronto Writing Workshop are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. More 2020 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
Stephanie Winter is an associate agent at P.S. Literary. Her experiences of living and traveling in and around Europe have left her eagerly devouring upmarket, fantasy, and nonfiction genres that make new worlds and perspectives come alive. Stephanie particularly appreciates strong characters who bend stereotypes, genders, and more. Stephanie is acquiring both fiction and nonfiction. Within fiction, she’s actively seeking diverse and inclusive representation in Upmarket, Commercial, Historical, and Women’s Fiction, in addition to urban and magical fantasies, cozy mysteries, dramatic comedies, light romances, and genre-bending narratives. Within nonfiction, she’s interested in Humor, Pop Culture, Pop Psychology, Memoir, cultural or event-based History, select Dessert Cookbooks, LGBTQ+ narratives, and essay collections. Learn more about Stephanie here.
Kimberly Brower is a literary agent and the founder of Brower Literary. She is interested in: commercial and upmarket fiction, with an emphasis in general/book club fiction (specifically books that involve complex relationships, ones with moral ambiguity plots is a plus), women’s fiction and romance. However, she is always looking for books that she wants to stay up all night reading, unable to put them down, regardless of what genre an author classifies it as. She loves stories that bring her into a world she doesn’t want to leave and characters that have strong character arcs. She also can never say no to an epic love story. Learn more about Kimberly here.
Stephany Evans is a literary agent at Pande Literary. For more than twenty-five years, Stephany has represented nonfiction writers in the areas of health and wellness, spirituality, lifestyle, food and drink, and sustainability, running and fitness, memoir and narrative nonfiction. She also represents a range of women’s fiction, from literary to upmarket commercial, to romance, as well as crime fiction (mysteries, thrillers), and the occasional literary or commercial novel not aimed at a female market. She is looking for fine, accomplished writing, whether the work is by a first time or established author. She loves to be told a great story! Learn more about Stephany here.
Moe Ferrara is a literary agent at BookEnds Literary. Moe is interested in fictional works for all ages, including picture books, middle-grade, young adults, and adult readers. Her favorite genres include contemporary, fantasy, historical, horror, magical realism, re-tellings, romance, science fiction and anything LGBTQIA-centric. She’s particularly keen to find books with pain-in-the-ass heroines, dark and creepy settings with lyrical voices, and books with well-thought out twists and turns. Sci-fi should be easily accessible and horror should not make her need to keep the lights on! Send her your LGBT+ books that are about more than just a coming out story. Her list tends to skew towards children’s fiction, but she is on the hunt for select authors in the above adult genres as well. Overall, though, she loves being surprised by books she never knew she wanted—so if it seems like a fit, pitch her! Moe is also open to select narrative nonfiction titles dealing with LGBT+ history, theatre (including biographies or theatrical analysis such as Horowitz’s Sondheim on Music), and music theory. Learn more about Moe here.
Cecilia Lyra is a literary agent with The Rights Factory. Cecilia is actively seeking literary and commercial adult book club fiction that feature diverse, layered characters and unexpected plot twists. Women’s fiction is her favorite genre. Cecilia is also looking for unique and compelling narrative nonfiction and memoirs such as the works of Esther Perel, Roxane Gay and Tara Westover. She is particularly passionate about representing under- or misrepresented voices and stories that contribute to a larger cultural conversation. Learn more about Cecilia here.
Carly Watters is a literary agent with P.S. Literary. Carly is currently acquiring both fiction and nonfiction. In terms of fiction, she is seeking women’s fiction, upmarket adult, commercial adult, domestic suspense, literary mystery & thrillers, historical, contemporary romance, and smart book club fiction. In terms of nonfiction, she is looking for pop science, business, psychology, cookbooks, unique memoirs, lifestyle (health, wellness, relationships, parenting), narrative, and platform-based nonfiction (must have demonstrable expertise and a quantifiable market). Learn more about Carly here.
Lindsay Leggett is a literary agent with The Rights Factory. Lindsay is focused on young adult, middle grade, and children’s books with unique, engaging, and diverse world’s and unforgettable characters. Within these kidlit realms, she would like to see horror, thriller, magical realism, fantasy, science fiction, LGBTTQIA+, #ownvoices. Learn more about Lindsay here.
Olga Filina is a literary agent with The Rights Factory. She is seeking: For fiction, she seeks commercial, contemporary, historical, crime, middle grade, young adult, romance, mystery, and thriller. For nonfiction, she seeks business, lifestyle, and memoir. She especially enjoys books that will set her book clubs or fire, and YA/MG with memorable characters. Learn more about Olga here.
More 2020 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings.)